to 5

    on the 5ives




dramatic gestures, busy energetic textures
scheme by reducing the differences in duration
into four movements of contrasting expressive
growing neo-classical preoccupation with formal

amid stylistic shifts is manifest in particular
C-Eb interval and use of lower neighbor tones
minimalist-like ostinatos while still using
overlapping of piano and forte dynamic levels in

involving all pitches within vertical spaces of
reduction in the density of texture a bass clarinet
create a composite idea which retains aspects
motion and dissonant intervals (minor 7th, major

their harmonic basis is the parallel fifth, the
passage highlighting celesta and high register
unearthly calm devoid as it is of the visual
both meteorological and geological. The weather

sensibilities: a spiritual world exhibiting a highly
dualism is the source of renewal and community
achieving such choreography and coordinating
positioning of the instruments be somehow

works and with a growing awareness both in
order permutations are additional tools to achieve
time, avoiding folk-music influences or the
chances of hearing more than just a tiny

to that select list of creators whose work can be
the new row ordering is derived from the primary
hearings may reap many valuable rewards
instances of tonal references, pitch-specific ostinati

played fff, four measures from the end of
each movements unidirectional increase in
a relatively short tranquil coda. Texture is a
the inclusion of triads obtained from contiguous

the first and third movements are slow in tempo
whispered beginning to a furious discharge of
when the very acts of breathing in and out are
performers are akin to a choice of windows to

diminish the figures and finally shadows which
used in this concert were the two bass clarinets
nevertheless or perhaps for that very reason
exasperation and of self-burial or subterranean.