SUBMIT
interesting
text, images, and new media.
WE
VALUE the insides of things,
vivisection, urgency, risk, elegance, flamboyance, work that moves
us, language that does something new, or does something old--well.
We like iteration and reiteration. Ruins and ghosts. Mechanical,
moving parts, balloons, and frenzy. Buzz us.
WE
WANT art and writing
that demonstrates / interaction; the processes / of things, both
inner and outer; how certain functions are accomplished; how things
become. How they expire. How they move or churn, or stand.
We'll
consider anything you see fit to send us.
We
enjoy traditional forms. We eschew traditional forms. We lie. Send
us annotations, schematics, poems, sentence diagrams, definitions.
Make us love you.
___
[New submission instructions
07/28/02]
We prefer electronic submissions, all things being
equal, but we'll be happy to consider hardcopy, too.
ELECTRONIC
SUBMISSIONS:
- prose [fiction@thediagram.com]
- poetry [poetry@thediagram.com]
- art/queries/else [editor@thediagram.com]
Don't sweat the genre definitions; we don't. If you
don't want to make the call, send it to [editor@thediagram.com].
For
text,
copy the first 200 words or so into the body of your message, and
attach a full copy in Rich Text Format or
MS Word format.
For
images,
send a low-res version in JPG or GIF format. If it's something else,
please explain.
HARDCOPY
SUBMISSIONS:
DIAGRAM
51 Cedar Crest
Tuscaloosa, AL 35401
(Send
print/s, slides,
zip disks, CDs,
magnetic tapes, or punch cardswe prefer to avoid 1.4 meg disks
if possible, though we can deal with them if necessary)
___
Simultaneous submissions
are fine with us as long as we are informed, as long as you let
us know immediately if the work is accepted elsewhere.
Typically,
we acquire first serial rights for work we publish (which means
we do not normally consider previously published work). All rights
revert to the authors/artists after publication, and the works can
then be reprinted (though we ask that we get an acknowledgment as
its place of initial publication).
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