Kenward Elmslie: 701 Remembers
Kenneth Irby: Two Poems
Anne Gorrick: Wittwick, Wallkill as Memory
Rosmarie Waldrop: from Reluctant Gravities
Dan Featherston: Odors
Roberto Tejada: The Photography of Horace Bristol
Horace Bristol: Six Photographs
Alan Gilbert: Two Poems
Jackson Mac Low: Swift-Flowing Water Where Bales of Hay Explode
E. Cameron Scott: Two Poems
Tina Rotenberg: Jerusalem Story
Brian Schorn: Two Poems
Brian Schorn: Five Photographs
Adrienne Rich: Rusted Legacy
Chris Sia: Scorpio Moon
André Breton: My Heart Through Which Her Heart Has Passed: Poems of Love and Desperation, 1926-1931 (Tr. from the French and Prefaced by Mark Polizzotti)
Bryan Johnson: H. De Soto
Eliot Weinberger: What Was Formalism?
Bruce Beasley: Two Poems
Nancy Locke: Some Possibilities for Painting's New Typographies
Christopher Campbell: Four Paintings
Charles Berstein: Captain Cappuccino and His Merry Con Leches
James Heller Levinson: Issac Stern Thursday April 23, 1998 8:00
Milton Kessler: Two Poems
Commentary: A letter from Basil Bunting to Carolyn Burke; Kevin Killian on Moving Borders; Dallas Wiebe on Alison Bundy; Dan Featherston on Jessica Lowenthal, Heather Ramsdell, and Benjamin Hollander; John Olson on Paul Metcalf; Sylvie Kandé on Christine de Lailhacar; Roberto Tejada on Audre Lorde and Peter Gizzi; John Olson on Cecilia Vicuña; Marjorie Welish on Jacques Roubaud and Raphael Rubinstein; Rachel Loden on Paul Hoover; Dale Smith on the Yasusada Notebooks.
Contibutor Notes
Cover Art: Christopher Campbell, Huron III (Black Ice), 1996, oil, charcol/linen, 60 x 48". Collection R. Epping, Zurich, Switzerland.