Field: “Pretty Happy” Treasure House: "Shadowboxing" Epoch: “Nettles” and “Extended Family Romance.” Verse: (special prose-poem section) “The Librarian,” “Illud Tempus,” and “Wake” The Party Train: A Collection of North American Prose Poetry: “Bedtime Story” and “Night Crawler” Quarterly West: “The Worst of Times,” “Einstein’s Brain,” “Sibling Rivalry,” and “Testimony” Denver Quarterly: “Universal Medicine” The Iowa Review: “The Provider,” “A Ritual as Old as Time Itself,” “Private Citizen,” and “Somebody’s Fool” Indiana Review: “The Pessimist” North Dakota Quarterly: “Pirates” and “Artiste Manquée” Five Fingers Review: “I’m With Stupid,” “Famous New England Legend,” and “Touch” Barnabe Mountain Review: “Penates” and “Tattoo” Asylum Annual: “Family Romance,” “The Lesson,” and “Hell” Tendril: “Prometheus: The True Story” Caprice: “Moses,” “Genesis,” and “Enigma of the Stigma, or Vice Versa” The Wormwood Review: “Five Sure Ways Toward Self-Actualization” and “19th Hole Condom Poem” Pig Iron: “A Minor Character in an Obscure Legend” Chiron Review: “Women They Could Kill For” and “Third Persons” The Alembic: “Concerning Kinship of Cat and Bird” and “The Watchers” The Mickle Street Review: “The Idiot” Soundings East: “He Said, She Said” Yet Another Small Magazine: “The Late Show” Mind in Motion: “The Accomplice” Clock Radio: “A Made For TV Romance” and “Rite of Passage” Panoply: “Sermon” and “Doll”